From an odd universe of bizarre, crude, irreverent and simply unattached environment UNPOP ART is a loosely organized group of creative individuals who often deal with similar cultural and aesthetic themes; generally speaking, the application of decidedly unpopular concepts via popular - often fun - media. These individuals each operate in their own respective creative fields (the plastic arts, music, writing, filmmaking, performance, etc.), and reside in cities far-distant from one another - however, as they often deal with similar subjects, share an overlapping set of philosophical and artistic principles, and have - on occasion - collaborated creatively, they are thus considered members of what has been dubbed “The UNPOP ART Movement.”

Their website represents the first concerted effort to collect and catalogue the varied, often ‘controversial’ work of this group of individuals, and has been established as both an archive and a conceptual clearinghouse for unpopular, repressed, and often censored ideas.

UNPOP is definable as, “The application of pop aesthetics, stylings, or techniques to unpopular, unpleasant, repressed or otherwise censored ideas,” and should, as a concept, be largely intuitive. Nonetheless, the question often arises: “Exactly who does something need to be unpopular with, in order for it to be considered UNPOP?”

This simplest answer to this is: The average contemporary person, and their average contemporary moral standards.

The people at UNPOP ART understand that morality is entirely relative and largely subjective, and therefore define “unpopular” according to the context in which the material in question is presented. Most statutes that deal with “obscenity” have clauses which refer to things like “contemporary moral standards” (or something along those lines), and it is in this sense that they conceive of the term “unpopular.” Therefore, for the purposes of defining UNPOP, the word “unpopular” is used in reference to the context-specific realm of contemporary - average - morality.

It is with this in mind, that the people at UNPOP ART acknowledge that UNPOP isn’t always intentional. Sometimes it manifests itself by accident (as in Jerry Lewis’ film, “The Day The Clown Cried,” for example), and at other times it is a result of conscious deliberation (as in Crispin Glover’s film “What Is It?”). Ergo, there are no hard-and-fast definitions or rules about who created the UNPOP in question (or why), but rather, what it is and how it relates to average, contemporary morality. Please bear this in mind when viewing the UNPOP “Readymades,” as well as any other UNPOP works included on their website, which were not produced by members of the UNPOP ART group.

All users of unpopart.org are advised, as per our terms of use, that the use of the website is entirely at one’s own risk. If you have any doubts, confusions or questions, please refer to their “Manifestos” section for further clarification.